Support our gallery and our artists by shopping! To help raise funds, WPG member Alex Singleton has created for us an Etsy store. Already we have several original paintings by artists associated with WPG for sale — and we plan to keep adding more artwork, along with WPG badges, t-shirts, and other merch.
Go to our shop on Etsy
During August and the first half of September the Westbury People’s Gallery will be exhibiting work from around the world that reflects the environments we live in (and are systematically trashing). This will be a prelude to our participation in the Great Big Green Week from 24 September to 2 October, which will include performances and links to artists from around the world – as well as reflections on our threatened existence.
We are calling this exhibition Outsider Art because the gallery is a voluntary created space that is outside the British elite controlled and funded arts network and mercantile mainstream and also because the work is genuinely outside. It’s in a suburban front garden.
Key works will include Canvas Songs by Jeffrey Lies who died this year and whose work reflects an abstracted expression of musical construction; Mikey Watts’ reflections on the Urban and Rural in Columbia and Munir Al Sachroni’s reflections on climate crisis in Indonesia. We are particularly pleased to feature the voices of Munir and Mikey who are doing so much powerful work to challenge complacency over environmental desecration.
The exhibition will continue to unfold over the next six weeks and as always a range of other work will be on view in the gallery. Visitors and all interested are welcome to submit their work as well.
Tuesdays and Thursdays, 5pm to 6pm
Saturdays and Sundays, 2pm to 4pm
(PLEASE CHECK WEBSITE FOR UPDATES – We are entirely unfunded and outside the arts mainstream, so please get in touch if you plan to visit. The gallery is after all just a suburban front garden. Other times can also be organised by arrangement.)
Painting by Nuzhat and Anusha Abbas, 2022
A mural by Alex Singleton. located at Redbridge Roundabout, Oxford. Read more at West England Bylines.
A modern poem by Malcolm Atkins inspired by Percy Bysshe Shelley
A sad, mad, drunk, despised, and lying leader
Ministers, the dregs of their crazed cabal, who show
Through self-conceited scorn devotion to that fibbing bottom feeder;
MPs who neither care nor care to know,
But leechlike to their cowering country bleed her
Till they drop, blind in blood and filthy lucre, without a blow.
A people frozen and fracked in untilled Brexit fields;
Police, whose racism and misogyny each day
Makes a two-edged sword to she who cruelly wields
Vain and vicious laws which drown those with no say;
The media run by millionaires with truth to power sealed;
A Parliament, failed franchise unrepealed –
All autocratic tombs from which at last the truth may
Burst, illumining our autonomous day.
Read original poem here.
First published at West Country Bylines
For many who have spent years honing their skills of expression in a particular discipline, the ideas of Schoenberg may seem much more sympathetic than those of Beuys. However, I will argue that Beuys’ assertion does not take away the need to dedicate to a chosen form of expression and does not imply that community art means ‘anything goes’ as denigrators would have us believe.
In fact the opposite. The more people realise their creative potential in what they choose to do within society and respect and debate and nourish the creativity of others, the more we can have a functioning democracy of mutual respect for human endeavour. And without that equality of creative expression and understanding, we risk continuing in the malaise of the decline of capitalist society into a septic monoculture of unbridled consumption and destruction that seeks to extinguish the natural world as well as the unnatural world it has engendered.
Read the rest of this article at West England Bylines
1. To be human is to be creative
The WPG recognises the need for humans to fulfil themselves creatively in the material, social and cultural spheres. Both individually and collectively, our creativity makes us who we are. We believe this existential need to be creative makes creativity a universal right for all humans.
2. Creativity needs a community
The WPG believes our creativity depends on collective effort and involvement of the community for both its meaning and its power to make positive changes in the world.
3. Creativity needs a world
The WPG believes we must be one with our environment. We are living organisms — how we shape and understand the world must be in sympathy with how the world functions as a living organism. We seek to live in harmony with other beings, human and otherwise, along with looking for a way to heal the rift between man and nature when the two should be indistinguishable. Above all, the WPG opposes the ongoing environmental destruction that the interests of the capital-owning class are bringing about.
4. Creativity needs freedom
The WPG opposes all hierarchies, institutions and systems that hamper human creativity. Creativity is for all, not just the preserve of a particular class, caste or profession. Access to the means and outlets for self-expression is a right for all. The role of the arts is to express truth — including speaking truth to power. The WPG seeks no funding from the State nor any corporate sponsor to ensure we never are compromised in what we can say.
5. Creativity needs inclusivity
The WPG believes everyone has a right to express their creativity; we encourage everyone to share their work with us. We are foremost a community gallery — the professional artists belonging to our collective are keen to share the space with all. Much of our gallery’s artwork is devoted to environmental awareness, justice, and speaking truth to power. But we welcome any expression providing it does not prejudice any group or culture.
6. Creativity needs a home
The WPG maintains a gallery space in a front garden in a suburban street between Rose Hill Estate and Cowley Centre. Our gallery is accessible to all, and everyone is encouraged to visit and contribute — it is not an exclusive gallery where only an elite clientele is welcome. We also maintain a website for recording our work and promoting our aims and ideals. Our web presence also allows artists from all over the world to contribute to our online gallery.
Bojo the Clown here bringing you greetings from the Westbury People’s Gallery – the foremost on street art gallery in Westbury Crescent.
If like me you’re bored of endless reports and investigations into supposed crimes and misdemeanours you honestly never did (or at least can’t remember) then why not peruse this wonderful site just opening up to the world (as I may have to if that girly swot Keir and his mates get their way).
So, what’s the gallery up to this bleak midwinter month?
Well, the new website is here – yes right here thanks to Julian Dourado and Jane Yates.
Alex Singleton or ASBirdman is the artist of the month – there will be a retrospective of some of his work at the gallery for the last few years which I am pleased to say features delightful depictions of me and my friend Donald.
Jane Yates is spreading word of the gallery throughout TikTok and Twitter
And outside of that, you can find here films of me, books of me, songs of me and soon there will even be a board game featuring – guess who? – ME !! Actually, there are loads and loads of artists here and even the ones not painting or drawing me are still pretty good.
Do have a wonderful day!
A detail from the “Altar of Material Apotheosis”, featuring a scale model of Jeff Bezos’s New Shepard rocket, 777 flawless diamonds and 72 specially selected Ferrero Rocher chocolates. Part of the Westbury People’s Gallery exhibition/happening “Goodbyee!” held in September 2021.
Welcome to the beginnings of Westbury People’s Gallery Online! In the following weeks, we will add content saying something about ourselves and our intentions. Inculded will be photos of the WPG Garden Galley, along with updates about our next exhibition.
In the meantime, find out more about us at: